This book has been selected for the 2024 National Publishing Fund Project and the third phase of the "New Era Literature Climbing Plan" of the Chinese Writers Association. The first volume has been published in the 10th issue of "Chinese Writers" in 2022, and the second volume has been published in the 2023 Winter Volume of "Harvest". In 1933, Shanhaiguan fell and Beijing was in danger. Na Wensong and other people from the Palace Museum made a vow that "people are here and cultural relics are here". In the smoke and danger of bayonets, and under the obstruction of various forces, they resolutely escorted more than 10,000 boxes of cultural relics from the Palace Museum on the road. Since then, the vast royal collection has experienced more than a decade of displacement on the land of China, and has also formed the surging Chinese national cultural spirit that transcends artifacts.
本书已入选2024年度国家出版基金资助项目、中国作家协会“新时代文学攀登计划”第三期名单。第一卷已刊发于《中国作家》2022年第10期, 第二卷已刊发于《收获》长篇小说2023冬卷。1933年山海关失守, 北平危在旦夕。故宫博物院那文松等故宫人立下“人在文物在”的誓言, 在硝烟与刺刀之险中, 在各方势力的重重阻挠下, 毅然押运一万多箱故宫文物伶仃上路。自此, 浩瀚的皇家典藏在中国大地上经历了长达十数年的颠沛流离, 也硕结了超越器物之上的奔腾不息的中华民族文化精神。
本书已入选2024年度国家出版基金资助项目、中国作家协会“新时代文学攀登计划”第三期名单。第一卷已刊发于《中国作家》2022年第10期, 第二卷已刊发于《收获》长篇小说2023冬卷。1933年山海关失守, 北平危在旦夕。故宫博物院那文松等故宫人立下“人在文物在”的誓言, 在硝烟与刺刀之险中, 在各方势力的重重阻挠下, 毅然押运一万多箱故宫文物伶仃上路。自此, 浩瀚的皇家典藏在中国大地上经历了长达十数年的颠沛流离, 也硕结了超越器物之上的奔腾不息的中华民族文化精神。
