This book is one of a series of monographs by renowned scholars on Deleuze's philosophy of art. In the latter half of the 20th century, the French philosopher Deleuze wrote his influential works on film theory. Using clear and profound thought and language, the author meticulously analyzes Deleuze's film treatise, especially the more difficult passages, from various perspectives, including background materials and sources of his ideas. This book profoundly elucidates Deleuze's complex and deep-seated ideas on film, clearing away obstacles for readers to approach, read, understand, and study Deleuze. It is undoubtedly a comprehensive and reliable guide to Deleuze's film theory. This book possesses high artistic and academic value.
本书为知名学者关于德勒兹艺术哲学思想的系列专著之一。20世纪下半叶，法国哲学家德勒兹撰写了具有重要影响的电影理论著作。本书作者用清晰而深刻的思想和语言，从背景材料、思想来源等各个角度，细致地对德勒兹电影论著尤其是艰深难懂的段落，进行了文本分析，深刻阐释了德勒兹复杂而深邃的电影思想，为读者接近、阅读、了解和研究德勒兹扫清了障碍，不失为一个全面而可靠的德勒兹电影理论导读读本。本书具有较高的艺术价值与学术价值。
本书为知名学者关于德勒兹艺术哲学思想的系列专著之一。20世纪下半叶，法国哲学家德勒兹撰写了具有重要影响的电影理论著作。本书作者用清晰而深刻的思想和语言，从背景材料、思想来源等各个角度，细致地对德勒兹电影论著尤其是艰深难懂的段落，进行了文本分析，深刻阐释了德勒兹复杂而深邃的电影思想，为读者接近、阅读、了解和研究德勒兹扫清了障碍，不失为一个全面而可靠的德勒兹电影理论导读读本。本书具有较高的艺术价值与学术价值。
