In Eleven O'Clock, Lucia Berlin skillfully incorporates the events of her own experience into descriptions from different perspectives. Although she herself denies that this is a rewrite based on her own experience, it still seems to be a reflection of her life, a voice from the soul. Even if she constantly changes her name, identity, and scene, she can still solve the puzzle back to a unified daily state. But her work is by no means a complete reflection of reality. In terms of technique, it belongs to the real short story structure, which cleverly connects the materials.
《十一点钟平安无事》中，露西亚·伯林将自身经历的事件巧妙融入不同视角的描述，尽管她自己否认这是根据她自身经历所改写，但仍像是她的生活的映射，来自于灵魂的发声。哪怕不断化用姓名变换身份更改场景，依旧能有迹可循地解谜回一种统一的日常状态。但她的作品绝非现实的完全映射，在技巧上属于真正的短篇小说结构，巧妙地穿针引线将素材联结。
《十一点钟平安无事》中，露西亚·伯林将自身经历的事件巧妙融入不同视角的描述，尽管她自己否认这是根据她自身经历所改写，但仍像是她的生活的映射，来自于灵魂的发声。哪怕不断化用姓名变换身份更改场景，依旧能有迹可循地解谜回一种统一的日常状态。但她的作品绝非现实的完全映射，在技巧上属于真正的短篇小说结构，巧妙地穿针引线将素材联结。
