"Homeland" is a realistic novel. The work is based on Shanghai young man Wang Benchang who married a Tibetan woman Dawa Zhima at the source of the Yangtze River and then returned to Shanghai at the end of the Yangtze River. He devoted himself to economic construction and environmental protection as the main line. It also follows the life of Dawa Zhima's good sister Slangcuo. The love and perseverance of Silangcuo and his brother Thubeng's family bravely venture into the no-man's land of Tibet as two auxiliary lines, telling the story of ethnic exchanges and integration under the background of the pluralistic and integrated culture of the Chinese nation. Through the legendary multi-line story interpretation and the creation of group portraits, it shows the ups and downs of people's fate and the vicissitudes of society under the background of the changing times, and constructs grand themes of national integration and unity, and the construction of ecological civilization, which contain the commonality of the Chinese nation. emotional memory and spiritual home, expressing that "integration" is the general trend for the common development of different civilizations.
《家园》是一部现实主义长篇小说。作品以上海青年王本昌在长江源头与藏族女子达瓦志玛结为夫妻后回到长江之尾的上海，致力于在经济建设与环境保护为主线，以达瓦志玛的好姐妹斯郎措一生的爱与坚守，斯郎措的哥哥土登一家勇闯藏地无人区为两条辅助线，讲述中华民族多元一体文化背景下民族交往交流交融的故事。通过传奇性的多线故事演绎以及人物群像塑造，展现出时代转折大背景下人们的命运沉浮、社会的沧桑变迁，构建出民族融合团结、生态文明建设等的宏大主题，内蕴着中华民族共通的情感记忆和精神家园，表达了“融合”是不同文明共同发展的大势所趋
《家园》是一部现实主义长篇小说。作品以上海青年王本昌在长江源头与藏族女子达瓦志玛结为夫妻后回到长江之尾的上海，致力于在经济建设与环境保护为主线，以达瓦志玛的好姐妹斯郎措一生的爱与坚守，斯郎措的哥哥土登一家勇闯藏地无人区为两条辅助线，讲述中华民族多元一体文化背景下民族交往交流交融的故事。通过传奇性的多线故事演绎以及人物群像塑造，展现出时代转折大背景下人们的命运沉浮、社会的沧桑变迁，构建出民族融合团结、生态文明建设等的宏大主题，内蕴着中华民族共通的情感记忆和精神家园，表达了“融合”是不同文明共同发展的大势所趋
