This book introduces in detail the basic development of the field of makeup in China during the long historical period from primitive society to the end of the 20th century. The content mainly includes the development and evolution of makeup styles, makeup tools, and cosmetics in successive dynasties, as well as the cultural interpretation and aesthetic analysis behind them. A separate chapter on the makeup of ancient Chinese opera is also given for detailed description. This book takes Chinese makeup as the research object, explores the various evolutions it has undergone in its long history of development, conducts in-depth discussions and systematic combing of its connotation characteristics, nature characteristics, and aesthetic culture, and summarizes its rich cultural connotations and aesthetic implications. After-class thinking is set in each chapter to promote problem-driven classroom teaching. This book has a broad theoretical vision, detailed restoration of makeup, and novel research methods, which broadens the research field of ancient makeup history.
本书详尽地介绍了中国从原始社会到20世纪末这一漫长的历史时期中，化妆领域的基本发展面貌，内容主要包括历朝历代的化妆造型、妆具、妆品这三大部分的发展演变历程，及其背后的文化阐释和美学分析，另单列中国古代戏曲妆容一章予以细致讲述。本书以中国化妆为研究对象，探究其在漫长的发展历史中历经的种种演变，对其内涵特点、性质特征和审美文化进行深入探讨和系统梳理，并总结其丰富的文化内涵和审美意蕴，在各章节设置课后思考，促进问题推进式课堂教学。本书理论视野开阔、妆造复原详细、研究方法新颖，拓宽了古代化妆史的研究领域。
本书详尽地介绍了中国从原始社会到20世纪末这一漫长的历史时期中，化妆领域的基本发展面貌，内容主要包括历朝历代的化妆造型、妆具、妆品这三大部分的发展演变历程，及其背后的文化阐释和美学分析，另单列中国古代戏曲妆容一章予以细致讲述。本书以中国化妆为研究对象，探究其在漫长的发展历史中历经的种种演变，对其内涵特点、性质特征和审美文化进行深入探讨和系统梳理，并总结其丰富的文化内涵和审美意蕴，在各章节设置课后思考，促进问题推进式课堂教学。本书理论视野开阔、妆造复原详细、研究方法新颖，拓宽了古代化妆史的研究领域。
