This book is Qiu Huadong's latest full-length historical novel. It uses poetic language and gorgeous imagination to return to the remote western world and rediscover the historical legends of Loulan, Dunhuang, Niya, Qiuci and other places. The whole book is divided into six chapters: the Shuangqi of Qiuci, the Three Books of Gaochang, the Four Brocades of Niya, the Five Layers of Loulan, the Six Parts of Khotan, and the Seven Caves of Dunhuang, which narrate the stories of the ruins of six ancient cities. In terms of expression, it adopts the structure of pomegranate seeds, orange segments or candied haws. All the ancient city stories in the novel have been extended to the present day. The protagonist of the novel is in the ruins and has a profound connection with these places. "All history is contemporary history." Those fragile and rustling voices gave way to vivid historical figures, expressing their vigorous initial strong voice in the prosperous Han and Tang dynasties.
本书是邱华栋最新长篇历史小说, 以诗意语言和绚烂想象回到渺远的西部世界, 重寻楼兰、敦煌、尼雅、龟兹等地的历史传奇。全书分为龟兹双阕、高昌三书、尼雅四锦、楼兰五叠、于阗六部、敦煌七窟共六章, 叙写六座古城废墟遗址的故事。在表达形式上, 采取石榴籽、橘子瓣或者糖葫芦式样的结构。小说中所有的古城故事, 都延伸到了当代, 小说主人公身临废墟, 和这些地方发生深刻联系。“一切历史都是当代史”, 那些脆薄的窸窣的声音, 让位于鲜活的历史人物, 表达出他们在汉唐盛代中发出的元气充沛的初始强音。
本书是邱华栋最新长篇历史小说, 以诗意语言和绚烂想象回到渺远的西部世界, 重寻楼兰、敦煌、尼雅、龟兹等地的历史传奇。全书分为龟兹双阕、高昌三书、尼雅四锦、楼兰五叠、于阗六部、敦煌七窟共六章, 叙写六座古城废墟遗址的故事。在表达形式上, 采取石榴籽、橘子瓣或者糖葫芦式样的结构。小说中所有的古城故事, 都延伸到了当代, 小说主人公身临废墟, 和这些地方发生深刻联系。“一切历史都是当代史”, 那些脆薄的窸窣的声音, 让位于鲜活的历史人物, 表达出他们在汉唐盛代中发出的元气充沛的初始强音。
